A Formal and Contextual Interpretation of the Boro Annik Temple, Puthia, Rajshahi District, Bangladesh


Authors : Brishti Majumder

Volume/Issue : Volume 9 - 2024, Issue 7 - July


Google Scholar : https://tinyurl.com/3thebteu

Scribd : https://tinyurl.com/5n9ys7f7

DOI : https://doi.org/10.38124/ijisrt/IJISRT24JUL1940

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Abstract : The architecture of Bengal is marked by its unique regional characteristics, shaped by its geo-climatic conditions, political dynamics, social structures, religious influences, and cultural environment. This has led to a distinct architectural style with vernacular features. Notably, Hindu temple architecture in Bengal transcends its role as a place of worship, serving as a hub for knowledge, art, architecture, and culture. The Puthia Temple Complex in Rajshahi, located in the north- western zone, stands out with its collection of historic Hindu temples, each rich in myths and legends, making it unique in Bangladesh. The transition from indigenous hut designs to elaborate temple constructions illustrates the dynamic interplay between functionality, craftsmanship, and artistic expression in Bangladeshi architecture. This paper will focus on examining the architectural features of Boro Annik temple, to gain a deeper understanding of how local architectural practices have transformed the temple architecture over time and how they continue to reflect the cultural and historical influences of the region. Despite the absence of a well-established theoretical framework, the research attempts to contextualize the Boro Annik Temple within the broader historical and regional transformations, including social and religious changes. The paper concludes that late medieval temples, such as the Boro Annik Temple, were more than mere religious edifices. They represented a dynamic interplay between evolving social contexts and spiritual expressions, reflecting a profound integration of societal and religious influences in their design and construction.

Keywords : Temple Architecture; Bengal Architecture; Regional influences; Spatial Interpretation, Terracotta.

References :

  1. D.J. McCutchion, “Late Medieval Temples of Bengal Origin and Classification, Calcutta: The Asiatic Society”, 1972
  2. G. Michell, “Brick Temples of Bengal from the Archives of David Mccutchion”, Princeton University Press Edition, New Jercy, pp.6, 1983..
  3. B. Ahmed., N .Chowdhury, “Selected Hindu Temples of Bangladesh, UNESCO”, Dhaka, 2005
  4. S. Ul Haque, Salt and others, Pundranagai to Sherebanglanagar: Architecture in Bangladesh Dhaka: Chatana Sthapatya Unnoyon Society, (Ed) 1997.
  5. K. M. Rahman, Puthiar Rajbangsha: Itihash O Shapattya [ History and monuments of. Dhaka, Bangladesh: Bangla Academy, (2017).
  6. Q. A. Mowla, Exploring for the Roots of Buildings and Settlements in Bengal. (2019), SEU Journal of Science and Engineering, Vol. 13, No. 2, 16-23.
  7. F. Sharmin , S. Tabassum ; Archetypal Analysis of Regional-Religious Styles for Temples of Dhaka city: Influenced by Indo-Islamic Style; International Journal of Engineering Research & Technology (IJERT); ISSN: 2278-0181;Vol. 1 Issue 9, November- 2012.
  8. B. Majumder, M.Arch Thesis, “Regional Influences On The Late Mediaeval Temples In Bangladesh: A Study Of Puthia Temple Complex At Rajshahi District” (2021)
  9. Architecture_of_Bengal. (n.d.). Retrieved 05 15, 2021, from Wikipedia: https://en.wikipedia.org/wiki/ Architecture_of_Benga

The architecture of Bengal is marked by its unique regional characteristics, shaped by its geo-climatic conditions, political dynamics, social structures, religious influences, and cultural environment. This has led to a distinct architectural style with vernacular features. Notably, Hindu temple architecture in Bengal transcends its role as a place of worship, serving as a hub for knowledge, art, architecture, and culture. The Puthia Temple Complex in Rajshahi, located in the north- western zone, stands out with its collection of historic Hindu temples, each rich in myths and legends, making it unique in Bangladesh. The transition from indigenous hut designs to elaborate temple constructions illustrates the dynamic interplay between functionality, craftsmanship, and artistic expression in Bangladeshi architecture. This paper will focus on examining the architectural features of Boro Annik temple, to gain a deeper understanding of how local architectural practices have transformed the temple architecture over time and how they continue to reflect the cultural and historical influences of the region. Despite the absence of a well-established theoretical framework, the research attempts to contextualize the Boro Annik Temple within the broader historical and regional transformations, including social and religious changes. The paper concludes that late medieval temples, such as the Boro Annik Temple, were more than mere religious edifices. They represented a dynamic interplay between evolving social contexts and spiritual expressions, reflecting a profound integration of societal and religious influences in their design and construction.

Keywords : Temple Architecture; Bengal Architecture; Regional influences; Spatial Interpretation, Terracotta.

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