Authors :
Brishti Majumder
Volume/Issue :
Volume 9 - 2024, Issue 7 - July
Google Scholar :
https://tinyurl.com/3thebteu
Scribd :
https://tinyurl.com/5n9ys7f7
DOI :
https://doi.org/10.38124/ijisrt/IJISRT24JUL1940
Note : A published paper may take 4-5 working days from the publication date to appear in PlumX Metrics, Semantic Scholar, and ResearchGate.
Abstract :
The architecture of Bengal is marked by its
unique regional characteristics, shaped by its geo-climatic
conditions, political dynamics, social structures, religious
influences, and cultural environment. This has led to a
distinct architectural style with vernacular features.
Notably, Hindu temple architecture in Bengal transcends
its role as a place of worship, serving as a hub for
knowledge, art, architecture, and culture. The Puthia
Temple Complex in Rajshahi, located in the north-
western zone, stands out with its collection of historic
Hindu temples, each rich in myths and legends, making it
unique in Bangladesh. The transition from indigenous hut
designs to elaborate temple constructions illustrates the
dynamic interplay between functionality, craftsmanship,
and artistic expression in Bangladeshi architecture. This
paper will focus on examining the architectural features
of Boro Annik temple, to gain a deeper understanding of
how local architectural practices have transformed the
temple architecture over time and how they continue to
reflect the cultural and historical influences of the region.
Despite the absence of a well-established theoretical
framework, the research attempts to contextualize the
Boro Annik Temple within the broader historical and
regional transformations, including social and religious
changes. The paper concludes that late medieval temples,
such as the Boro Annik Temple, were more than mere
religious edifices. They represented a dynamic interplay
between evolving social contexts and spiritual
expressions, reflecting a profound integration of societal
and religious influences in their design and construction.
Keywords :
Temple Architecture; Bengal Architecture; Regional influences; Spatial Interpretation, Terracotta.
References :
- D.J. McCutchion, “Late Medieval Temples of Bengal Origin and Classification, Calcutta: The Asiatic Society”, 1972
- G. Michell, “Brick Temples of Bengal from the Archives of David Mccutchion”, Princeton University Press Edition, New Jercy, pp.6, 1983..
- B. Ahmed., N .Chowdhury, “Selected Hindu Temples of Bangladesh, UNESCO”, Dhaka, 2005
- S. Ul Haque, Salt and others, Pundranagai to Sherebanglanagar: Architecture in Bangladesh Dhaka: Chatana Sthapatya Unnoyon Society, (Ed) 1997.
- K. M. Rahman, Puthiar Rajbangsha: Itihash O Shapattya [ History and monuments of. Dhaka, Bangladesh: Bangla Academy, (2017).
- Q. A. Mowla, Exploring for the Roots of Buildings and Settlements in Bengal. (2019), SEU Journal of Science and Engineering, Vol. 13, No. 2, 16-23.
- F. Sharmin , S. Tabassum ; Archetypal Analysis of Regional-Religious Styles for Temples of Dhaka city: Influenced by Indo-Islamic Style; International Journal of Engineering Research & Technology (IJERT); ISSN: 2278-0181;Vol. 1 Issue 9, November- 2012.
- B. Majumder, M.Arch Thesis, “Regional Influences On The Late Mediaeval Temples In Bangladesh: A Study Of Puthia Temple Complex At Rajshahi District” (2021)
- Architecture_of_Bengal. (n.d.). Retrieved 05 15, 2021, from Wikipedia: https://en.wikipedia.org/wiki/ Architecture_of_Benga
The architecture of Bengal is marked by its
unique regional characteristics, shaped by its geo-climatic
conditions, political dynamics, social structures, religious
influences, and cultural environment. This has led to a
distinct architectural style with vernacular features.
Notably, Hindu temple architecture in Bengal transcends
its role as a place of worship, serving as a hub for
knowledge, art, architecture, and culture. The Puthia
Temple Complex in Rajshahi, located in the north-
western zone, stands out with its collection of historic
Hindu temples, each rich in myths and legends, making it
unique in Bangladesh. The transition from indigenous hut
designs to elaborate temple constructions illustrates the
dynamic interplay between functionality, craftsmanship,
and artistic expression in Bangladeshi architecture. This
paper will focus on examining the architectural features
of Boro Annik temple, to gain a deeper understanding of
how local architectural practices have transformed the
temple architecture over time and how they continue to
reflect the cultural and historical influences of the region.
Despite the absence of a well-established theoretical
framework, the research attempts to contextualize the
Boro Annik Temple within the broader historical and
regional transformations, including social and religious
changes. The paper concludes that late medieval temples,
such as the Boro Annik Temple, were more than mere
religious edifices. They represented a dynamic interplay
between evolving social contexts and spiritual
expressions, reflecting a profound integration of societal
and religious influences in their design and construction.
Keywords :
Temple Architecture; Bengal Architecture; Regional influences; Spatial Interpretation, Terracotta.