Authors :
Alex Richsyon Nunumete; Aris Setiawan; I Nyoman Sukerna
Volume/Issue :
Volume 11 - 2026, Issue 8 - August
Google Scholar :
https://tinyurl.com/2f5eu5ku
DOI :
https://doi.org/10.38124/ijisrt/26aug868
Note : A published paper may take 4-5
working days from the publication date to appear in PlumX Metrics, Semantic Scholar, and
ResearchGate.
Abstract :
This study examines Katalima, a traditional prayer practice observed by the community of Piliana village, Tehoru
Subdistrict, Central Moluccas Regency, Moluccas Province. In the Katalima tradition, prayers are recited while
accompanied by a rhythmic beating of eating plates using bamboo strips, combining verbal (prayer) and sonic (percussive
rhythm) elements into a single ritual unity. The primary purpose of Katalima is to seek guidance before undertaking a
particular activity, whether individual or communal. This study employs a descriptive qualitative approach through
ethnographic methods, including participant observation, in-depth interviews with local customary leaders, and a literature
review on oral traditions and rituals of Moluccas communities. The findings indicate that the plate-beating pattern in
Katalima is rhythmically static, with a tempo ranging between 70 and 80 beats per minute (MM), maintained consistently
throughout the recitation of the prayer without significant tempo variation. This steady tempo is presumed to function as a
marker of solemnity and a means of sustaining the concentration of both the officiant and the congregation present. This
study also examines, in an analogicaltheoretical manner, the psychological dimension required of the officiant to maintain
rhythmic precision, as well as the relationship between tempo and physiological bodily states drawn from neuroscience and
cardiology literature. Katalima represents a form of local wisdom that illustrates how the customary community of Central
Moluccas integrates religious, social, and musical elements into a single living cultural practice. This study recommends
further documentation and preservation of the Katalima tradition, given the limited regeneration of tradition bearers and
the scarcity of scholarly literature specifically addressing it.
Keywords :
Katalima; Traditional Prayer; Percussive Rhythm; Dinner Plate; Oral Tradition; Ethnomusicology.
References :
- Antara News. (2026). BPK Strengthens Preservation of 32 Intangible Cultural Heritages in Moluccas. Antara News Agency.
- Moluccas Cultural Values Preservation Agency (BPNB). (2021). 500 Intangible Cultural Heritage Sites in Moluccas Not Yet Registered. Antara News Agency.
- Bernardi, L., Porta, C., & Sleight, P. (2006). Cardiovascular, cerebrovascular, and respiratory changes induced by different types of music in musicians and nonmusicians: The importance of silence. Heart , 92(4), 445–452. https://doi.org/10.1136/hrt.2005.064600
- Directorate of Belief in God Almighty and Tradition. (2019). Crazy Bamboo: A Magical Attraction Typical of Moluccas. Ministry of Education and Culture of the Republic of Indonesia.
- Juslin, PN, Harmat, L., Barradas, G., Omstedt, G., & Redtzer, V. (2026). Rhythmic entrainment of heart rate as a mechanism for musical emotion induction: A plausible hypothesis in need of evidence? Musicae Scientiae . https://doi.org/10.1177/03057356241302809
- Koelsch, S., & Jäncke, L. (2015). Music and the heart. European Heart Journal , 36(44), 3043–3049. https://doi.org/10.1093/eurheartj/ehv430
- Koentjaraningrat. (1981). Introduction to Anthropology. Jakarta: Rineka Cipta.
- Kridalaksana, H. (1993). Study of Oral Tradition. Jakarta: Erlangga.
- Merriam, A. P. (1964). The Anthropology of Music . Evanston: Northwestern University Press.
- Mütze, H., Kopiez, R., & Wolf, A. (2018). The effect of a rhythmic pulse on the heart rate: Little evidence for rhythmical 'entrainment' and 'synchronization'. Musicae Scientiae , 24(3), 377–400. https://doi.org/10.1177/1029864918817805
- Nugroho, WTS, & Herawati, I. (2023). The Effect of Music Type on the Cardiovascular System. Publication Manuscript, Physiotherapy Study Program, Muhammadiyah University of Surakarta.
- Pathak, O. (2024). Effects of musical tempo on heart rate, blood pressure, and heart-rate variability [Undergraduate honors thesis, University of Central Florida]. STARS Library. https://stars.library.ucf.edu/hut2024/623/
- Pudentia, MPSS (1998). Methodology of Oral Tradition Studies. Indonesian Oral Tradition Series. Jakarta: Obor Indonesia Foundation.
- Salakory, RPJ Mb. (2020). Teong Negeri: The sacredness of local identity of indigenous peoples in Central Moluccas. Paradigma: Journal of Cultural Studies , 10(3), 311–318. https://doi.org/10.17510/paradigma.v10i3.382
- Sinaga, SS (2016). [The function of music in culture]. Anthropos: Journal of Social and Cultural Anthropology , 2(1), 101–107.
- Soamole, M., Mursalim, & Rokhmansyah, A. (2015). Analysis of the Crazy Bamboo Dance Speech in Central Moluccas in Terms of Form and Function. Journal of Cultural Sciences, 18(2), 215–224.
- Sugiyono. (2019). Qualitative Research Methods. Bandung: Alfabeta.
- Wiener, M., Turkeltaub, P., & Coslett, H.B. (2011). Time processing and motor control in movement disorders. Frontiers in Neurology [PMC5149591].
- The results of interviews with traditional and community leaders of Negeri Piliana, Tehoru District, Central Moluccas Regency, as the primary data for this research.
This study examines Katalima, a traditional prayer practice observed by the community of Piliana village, Tehoru
Subdistrict, Central Moluccas Regency, Moluccas Province. In the Katalima tradition, prayers are recited while
accompanied by a rhythmic beating of eating plates using bamboo strips, combining verbal (prayer) and sonic (percussive
rhythm) elements into a single ritual unity. The primary purpose of Katalima is to seek guidance before undertaking a
particular activity, whether individual or communal. This study employs a descriptive qualitative approach through
ethnographic methods, including participant observation, in-depth interviews with local customary leaders, and a literature
review on oral traditions and rituals of Moluccas communities. The findings indicate that the plate-beating pattern in
Katalima is rhythmically static, with a tempo ranging between 70 and 80 beats per minute (MM), maintained consistently
throughout the recitation of the prayer without significant tempo variation. This steady tempo is presumed to function as a
marker of solemnity and a means of sustaining the concentration of both the officiant and the congregation present. This
study also examines, in an analogicaltheoretical manner, the psychological dimension required of the officiant to maintain
rhythmic precision, as well as the relationship between tempo and physiological bodily states drawn from neuroscience and
cardiology literature. Katalima represents a form of local wisdom that illustrates how the customary community of Central
Moluccas integrates religious, social, and musical elements into a single living cultural practice. This study recommends
further documentation and preservation of the Katalima tradition, given the limited regeneration of tradition bearers and
the scarcity of scholarly literature specifically addressing it.
Keywords :
Katalima; Traditional Prayer; Percussive Rhythm; Dinner Plate; Oral Tradition; Ethnomusicology.