Authors :
Justine Kanku Cibaka
Volume/Issue :
Volume 10 - 2025, Issue 7 - July
Google Scholar :
https://tinyurl.com/4hd6eysw
Scribd :
https://tinyurl.com/yck2b8xt
DOI :
https://doi.org/10.38124/ijisrt/25jul1234
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Abstract :
This research consists of rebuilding the solid foundations of Congolese culture through the dress code, with the
aim of reducing the external influence of the review of clothing models that come from foreign markets.
As the Kinshasa clothing market is saturated by ready-to-wear fashion from elsewhere, this constitutes an influence
that threatens to erase from the memory of the Congolese public the local expertise in haute couture based on endogenous
knowledge.
Raffia fabric offers jewellery, a purely Congolese reference that is a symbol of power, culture and civilisation for certain
Congolese tribes, in this case the ‘Kuba’ people. Its use informs dress codes that offer authenticity to a model of dress created
and Congolese, with the aim of building solid foundations to enhance the value of local haute couture innovations. This
contributes effectively to boosting the Congolese economy, particularly in the creation of Small Business size and top business
model.
Using an ethnosociological approach, this study provides clothing technicians with the means to reflect and enhance
their culture, in this case Congolese culture, with the aim of halting the notorious influence of dress codes from other clothing
markets.
Keywords :
Dress Code, Raffia, Authenticity and Ancestral Value.
References :
- BADIBANGA NE-MUINE, Contribution à l’étude historique… de l’art plastique zaïrois moderne, Kinshasa, Ed. MALAYIKA, 1977.
- DIBAKANA, J-A., Figures Contemporaines du Changement Social en Afrique, Paris : Le harmattan, 2008.
- EDELMAN B. et N. HEINICH, L’art en conflit, l’œuvre de l’esprit entre droit et sociologie, Ed. La Découverte et Syros, Paris, 2002.
- G. LIPOVETSKY, L’empire de l’éphémère, Paris, Folio, 1991.
- GODELER, M. L’idéel et le matériel. Librairie Arthème Fayard, 1984, International, Bamako, 2009.
- HEBDIGE « Sous-culture, Le sens du style », Paris, 1979.
- LAPASSADE Georges, L'Ethnosociologie. In: Revue française de pédagogie, volume 100, 1992. pp.
- LATOUCHE, S. L'autre Afrique. Entre don et marché. Paris : Albin Michel, 1998.
- Line Jacques, La technique de la coupe, éd. Erasmus, Bruxelles, 1970.
- LOUBET DEL BAYLE J.L, Initiation aux méthodes des Sciences sociales, Paris, Le Harmattan, 2000.
- Maigret E., Sociologie de la communication des médias, Paris, éd. Armand colin, 2022.
- OLIVER DE SARDAN, J-P., Anthropologie et Développement : essai en socio-anthropologie du changement social. Paris, PUF, 1965.
This research consists of rebuilding the solid foundations of Congolese culture through the dress code, with the
aim of reducing the external influence of the review of clothing models that come from foreign markets.
As the Kinshasa clothing market is saturated by ready-to-wear fashion from elsewhere, this constitutes an influence
that threatens to erase from the memory of the Congolese public the local expertise in haute couture based on endogenous
knowledge.
Raffia fabric offers jewellery, a purely Congolese reference that is a symbol of power, culture and civilisation for certain
Congolese tribes, in this case the ‘Kuba’ people. Its use informs dress codes that offer authenticity to a model of dress created
and Congolese, with the aim of building solid foundations to enhance the value of local haute couture innovations. This
contributes effectively to boosting the Congolese economy, particularly in the creation of Small Business size and top business
model.
Using an ethnosociological approach, this study provides clothing technicians with the means to reflect and enhance
their culture, in this case Congolese culture, with the aim of halting the notorious influence of dress codes from other clothing
markets.
Keywords :
Dress Code, Raffia, Authenticity and Ancestral Value.