Kuba Raffia Technology, A Symbol of Authenticity for the Dress Code of Ancestral Value in Congo-Kinshasa


Authors : Justine Kanku Cibaka

Volume/Issue : Volume 10 - 2025, Issue 7 - July


Google Scholar : https://tinyurl.com/4hd6eysw

Scribd : https://tinyurl.com/yck2b8xt

DOI : https://doi.org/10.38124/ijisrt/25jul1234

Note : A published paper may take 4-5 working days from the publication date to appear in PlumX Metrics, Semantic Scholar, and ResearchGate.

Note : Google Scholar may take 30 to 40 days to display the article.


Abstract : This research consists of rebuilding the solid foundations of Congolese culture through the dress code, with the aim of reducing the external influence of the review of clothing models that come from foreign markets. As the Kinshasa clothing market is saturated by ready-to-wear fashion from elsewhere, this constitutes an influence that threatens to erase from the memory of the Congolese public the local expertise in haute couture based on endogenous knowledge. Raffia fabric offers jewellery, a purely Congolese reference that is a symbol of power, culture and civilisation for certain Congolese tribes, in this case the ‘Kuba’ people. Its use informs dress codes that offer authenticity to a model of dress created and Congolese, with the aim of building solid foundations to enhance the value of local haute couture innovations. This contributes effectively to boosting the Congolese economy, particularly in the creation of Small Business size and top business model. Using an ethnosociological approach, this study provides clothing technicians with the means to reflect and enhance their culture, in this case Congolese culture, with the aim of halting the notorious influence of dress codes from other clothing markets.

Keywords : Dress Code, Raffia, Authenticity and Ancestral Value.

References :

  1. BADIBANGA NE-MUINE, Contribution à l’étude historique… de l’art plastique zaïrois moderne, Kinshasa, Ed. MALAYIKA, 1977.
  2. DIBAKANA, J-A., Figures Contemporaines du Changement Social en Afrique, Paris : Le harmattan, 2008.
  3. EDELMAN B. et N. HEINICH, L’art en conflit, l’œuvre de l’esprit entre droit et sociologie, Ed. La Découverte et Syros, Paris, 2002.
  4. G. LIPOVETSKY, L’empire de l’éphémère, Paris, Folio, 1991.
  5. GODELER, M. L’idéel et le matériel. Librairie Arthème Fayard, 1984, International, Bamako, 2009.
  6. HEBDIGE « Sous-culture, Le sens du style », Paris, 1979.
  7. LAPASSADE Georges, L'Ethnosociologie. In: Revue française de pédagogie, volume 100, 1992. pp.
  8. LATOUCHE, S. L'autre Afrique. Entre don et marché. Paris : Albin Michel, 1998.
  9. Line Jacques, La technique de la coupe, éd. Erasmus, Bruxelles, 1970.
  10. LOUBET DEL BAYLE J.L, Initiation aux méthodes des Sciences sociales, Paris, Le Harmattan, 2000.
  11. Maigret E., Sociologie de la communication des médias, Paris, éd. Armand colin, 2022.
  12. OLIVER DE SARDAN, J-P., Anthropologie et Développement : essai en socio-anthropologie du changement social. Paris, PUF, 1965.

This research consists of rebuilding the solid foundations of Congolese culture through the dress code, with the aim of reducing the external influence of the review of clothing models that come from foreign markets. As the Kinshasa clothing market is saturated by ready-to-wear fashion from elsewhere, this constitutes an influence that threatens to erase from the memory of the Congolese public the local expertise in haute couture based on endogenous knowledge. Raffia fabric offers jewellery, a purely Congolese reference that is a symbol of power, culture and civilisation for certain Congolese tribes, in this case the ‘Kuba’ people. Its use informs dress codes that offer authenticity to a model of dress created and Congolese, with the aim of building solid foundations to enhance the value of local haute couture innovations. This contributes effectively to boosting the Congolese economy, particularly in the creation of Small Business size and top business model. Using an ethnosociological approach, this study provides clothing technicians with the means to reflect and enhance their culture, in this case Congolese culture, with the aim of halting the notorious influence of dress codes from other clothing markets.

Keywords : Dress Code, Raffia, Authenticity and Ancestral Value.

CALL FOR PAPERS


Paper Submission Last Date
31 - December - 2025

Video Explanation for Published paper

Never miss an update from Papermashup

Get notified about the latest tutorials and downloads.

Subscribe by Email

Get alerts directly into your inbox after each post and stay updated.
Subscribe
OR

Subscribe by RSS

Add our RSS to your feedreader to get regular updates from us.
Subscribe