Authors : Sandhya Nandan; Dr. Shabina Khan

Volume/Issue : Volume 10 - 2025, Issue 10 - October

Google Scholar : https://tinyurl.com/54szr687

Scribd : https://tinyurl.com/2ataky3n

DOI : https://doi.org/10.38124/ijisrt/25oct1222

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Abstract : The paper examines how Indian English novel writers use Indian festivals as a contextual backdrop and storytelling tool to go beyond the traditional rituals and festivities by introducing complex characters that have to deal with emotional complexities of moral, emotional, and social change. Drawing on postcolonial theory, symbolic anthropology, and cultural aesthetics, the paper shows how festival rituals become signs of identity, conflict, and renewal in the hands of authors like Raja Rao, R. K. Narayan, Arundhati Roy, Salman Rushdie, Jhumpa Lahiri, Amitav Ghosh, and Rohinton Mistry. For example, Holi and Diwali show different ideas about freedom and inequality, while Durga Puja celebrates the strength of women and cultural pride. These festivals combine religious and everyday life, which you can see in modern India’s mix of faith, shopping, nostalgia, and criticism. The paper also discusses how Indian communities overseas reinvent festivals to foster a sense of belonging and remembrance of their homeland despite displacement. The paper examines festivals as part of India’s moral and cultural calendar, an interactive mix of myth, ritual, and storytelling. To conclude, the paper argues that Indian English novels celebrate and renew Indian culture through festivals, embodying a flexible, strong, self-renewing culture as described by Kapila Vatsyayan.

Keywords : Indian English Fiction, Festival Representation, Cultural Identity, Postcolonial Aesthetics, Sacred and Secular, Narrative Symbolism.

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