Authors : Angèle Landu Lutonadio

Volume/Issue : Volume 10 - 2025, Issue 10 - October

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DOI : https://doi.org/10.38124/ijisrt/25oct676

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Abstract : Clothing is never neutral. In the Democratic Republic of Congo, women’s fashion has consistently gone beyond its utilitarian role to serve as a powerful expression of identity, social belonging, and cultural resistance. This study examines the technological evolution of women’s clothing as a reflection of the country’s social and cultural transformations, from the precolonial era to the current globalized context. Grounded in a multidisciplinary approach and inspired by semiotic theory particularly Roland Barthes’ concept of clothing as a system of signs this research highlights how garments, textiles, hairstyles, and accessories symbolically express specific historical periods, social status, and ideological positions. The evolution of dress among Congolese women reveals shifting gender roles, resistance to colonial and patriarchal systems, and efforts toward cultural reassertion and self- affirmation. Far from being merely aesthetic, the transformation of women’s clothing is embedded in broader historical dynamics marked by the tension between tradition and modernity, domination and emancipation. Understanding this evolution provides valuable insight into the strategies of adaptation, creativity, and social positioning employed by Congolese women as they navigate changing social realities.

Keywords : Women’s Clothing, Technological Evolution, Social Transformations, Fashion and Society.

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