Authors : Zivanai Gwande

Volume/Issue : Volume 10 - 2025, Issue 9 - September

Google Scholar : https://tinyurl.com/5bf2fewv

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DOI : https://doi.org/10.38124/ijisrt/25sep788

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Abstract : This paper interrogates the cultural interface between the Tonga people of Zimbabwe and their namesakes in the South Pacific, situating the inquiry within debates on identity, place, and comparative ethnography in a globalized world. Despite their geographical disjuncture and divergent historical trajectories, the shared ethnonym “Tonga” invites a critical exploration of how communities construct meaning, resilience, and belonging under distinct ecological and socio-political pressures. The Zimbabwean Tonga, historically displaced by the Kariba Dam project, embody a cultural cosmology anchored in the Zambezi River and articulated through rituals, spiritual practices, and agrarian livelihood strategies. Conversely, the South Pacific Tonga sustain an Oceanic cultural system characterized by hierarchical kinship, ritualized kava ceremonies, and performative arts such as lakalaka, which reinforce notions of continuity, mana, and collective identity Through a comparative lens, the paper demonstrates that cultural interfaces are not premised on genealogical relatedness but rather on the epistemological utility of juxtaposition. The study argues that examining these Tonga communities side by side reveals how global modernity’, displacement, and environmental change generate parallel questions of survival, adaptation, and cultural preservation. Furthermore, it highlights the methodological significance of cross-regional scholarship in deprovincializing African and Pacific studies, foregrounding new possibilities for theorizing culture across non-contiguous spaces. The paper concludes that the Tonga–Tonga comparison exemplifies the potential of cultural interface studies to extend anthropological thought beyond bounded regional categories. In so doing, it contributes to wider discourses on translocal identity, the politics of naming, and the global circulation of cultural meaning.

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