Authors :
Molka Kannou
Volume/Issue :
Volume 10 - 2025, Issue 7 - July
Google Scholar :
https://tinyurl.com/552vr6ym
Scribd :
https://tinyurl.com/ybsa2etx
DOI :
https://doi.org/10.38124/ijisrt/25jul1237
Note : A published paper may take 4-5 working days from the publication date to appear in PlumX Metrics, Semantic Scholar, and ResearchGate.
Note : Google Scholar may take 30 to 40 days to display the article.
Abstract :
This article examines the effects of modern technologies on Tunisia’s music creation and production. In a digital
era, artistic and technical practices are evolving, leading musicians to take on multiple roles as creators, producers, and
distributors. In Tunisia, this shift combines traditional and modern approaches. Based on theoretical reflections and real-
world examples, the study highlights the emergence of new musical aesthetics, changes in production methods, and the main
challenges linked to this transition. The aim is to understand how digital tools are reshaping the Tunisian music scene today.
Keywords :
Music, Technology, Tunisia.
References :
- BRULÉ, D, L’adsl, Kazaa, L’ipod et la musique, Paris, Le harmattan, 2008, p. 12.
- BRESSON, J, Composition assistée par ordinateur : techniques et outils de programmation visuelle pour la création musicale, Paris, Université Pierre et Marie Curie, 2017, pp. 55-56.
- BRESSON, J, Composition assistée par ordinateur : techniques et outils de programmation visuelle pour la création musicale, Paris, Université Pierre et Marie Curie, 2017, p. 84.
- Le Guern, P, Irréversible ? Musique et technologies en régime numérique, Réseaux, no 172, 2012, p. 59.
- Amsallem, É, Comment le streaming a-t-il impacté l'industrie musicale ? Thèse professionnelle, MBA Marketing et Commerce sur Internet, Institut Léonard de Vinci, 2017, p. 7.
- Middleton, C, Guide pratique de home studio et M.A.O. : les clefs de la création musicale numérique*, 2ᵉ éd., Paris : Dunod, 2009.
- Zghonda, F, La création musicale entre l’inspiration et les nouvelles technologies de communication,” communication présentée au *Forum du Conseil International de la Musique*, Pékin, 2007.
This article examines the effects of modern technologies on Tunisia’s music creation and production. In a digital
era, artistic and technical practices are evolving, leading musicians to take on multiple roles as creators, producers, and
distributors. In Tunisia, this shift combines traditional and modern approaches. Based on theoretical reflections and real-
world examples, the study highlights the emergence of new musical aesthetics, changes in production methods, and the main
challenges linked to this transition. The aim is to understand how digital tools are reshaping the Tunisian music scene today.
Keywords :
Music, Technology, Tunisia.