Authors : S. Usha; Dr. B. R. Veeramani

Volume/Issue : Volume 10 - 2025, Issue 8 - August

Google Scholar : https://tinyurl.com/5ekbexk3

Scribd : https://tinyurl.com/5ambrxpe

DOI : https://doi.org/10.38124/ijisrt/25aug1291

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Abstract : This paper explores the difference between societal expectations and self-identity in Henrik Ibsen’s realistic play A Doll’s House, focusing on the feminist character Nora Helmer's journey toward self-realisation. The study examines how gender discrimination, family politics, and societal expectations entrap women within tangled societal norms. This paper reveals how Nora’s self-awakening challenges the deterministic roles assigned to her and underscores Ibsen’s critique of 19th-century social norms. This work argues that A Doll’s House remains a revolutionary exploration of autonomy and the silent struggle to assert the self in a world governed by secrets of expectation. This study uses a qualitative literary method. It is focusing on close reading of Henrik Ibsen’s literary text A Doll’s House. The research draws upon textual analysis: examining language, dialogue, and symbols.

Keywords : Gender, Social Expectation, Marionette, Self-Realisation, Autonomy.

References :

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